The Original International Personality Item Pool - 1024 Words

The original International Personality Item Pool (IPIP) focused on Goldberg’s 100-adjective markers of the psycholexical FFM structure (Goldberg, 1990/1992). The current IPIP-50 is a 50-item prototype public domain (the NEO-PI-R is a commercial questionnaire) personality questionnaire (Goldberg et al., 2006; Goldberg, 2011). Since the questionnaire is free of charge over 600 different studies have employed it (Goldberg, 2016). Until 2005 the IPIP big-five factor markers lacked validating evidence, but research conducted in 2005 found that the IPIP-50 had a high internal consistency and related strongly to both Costa and McCrae’s NEO-FFI and Eysenck’s EPQ-R Short Form (Gow et al., 2005). In addition, Gow et al. (2005) found that although Intellect and Openness related less strong, it was still 0.59. A study carried out in New Zealand found that there was hardly any evidence to suggest hidden biases at the item or scale level of the IPIP-50 (Guenole Chernyshenko, 2005). Before looking at the research examining the relation between the FFM and EI, this literature review first presents some of the current findings in EI. Although intelligence has been studied for over a century, the study of emotional intelligence is relatively new in comparison. One commonly used definition of EI is ‘the ability to understand your own emotions and those of people around you’ (Maltby et al., 2010, p. 392). There are four main models are: The Salovey Mayer, and Caruso model (Mayer Salovey,Show MoreRelatedA Brief Note On The International Personality Item Pool1139 Words   |  5 PagesAddendum to Literature Review Surveying Personality Traits The International Personality Item Pool, abbreviated IPIP, was originally conceptualized as a component of a project by Wim K. Hofstee at the University of Groningen in the Netherlands (International Personality Item Pool, n.d.). Hofstee and his fellow researchers sought to create items for personality based â€Å"on short, concrete behavioral phrases [which] would be less subject to idiosyncratic interpretation than ratings on relatively abstractRead MoreThe Literacy And Understanding Of The Inuit Children1492 Words   |  6 Pageswhether different personalities can be or cannot be observed in a group of pre-teens from the Inuit children from northern Canada who will be fluent in the Inuktitut language. The questionnaire will be prepared based on the level of literacy and understanding of the Inuit children. The SPSS software will be used to assess the Big Five (Five Factor Model) Personality Factors (Costa McCrae, 1995). The questionnaires will be translated in the Inuit langu age and will be consisting of 25-items with a 5 pointRead MoreExpanding Successfully in the Global Marketplace Essay2279 Words   |  10 Pagesindividuals/social groups will behave the same regardless of geographic location (Prasso, 2007). According to Hofstede McCrae (2004) national culture differences in work-related values and personality traits â€Å"interact to shape the behavior of individuals and social groups†. By researching and understanding how various personality traits within the national culture interact, valuable insights for effectively outsourcing to India can be determined. In order to expand successfully in a global marketplace,Read MoreHofstede’s Limitations14637 Words   |  59 Pagesglobalization and its concomitant increase in international trade and communication. The increase interest in cross-cultural issues was largely triggered by Hofstede‟s book â€Å"Culture‟s Consequences,† published in 1980 and proved to be one of the field‟s most influential works. Although other models of cultures had been offered earlier (e.g., England, 1967; Haire et al., 1966), Hofstede‟s study was the first one to be conducted based on a large international sample and to employ relatively advanced, forRead MoreMandarin Oriental Hotel4620 Words   |  19 PagesMandarin Oriental Hotel, Bangkok Mandarin Oriental, Bangkok is a five-star hotel in Bangkok owned in part and managed by Mandarin Oriental Hotel Group. Located on the banks of the Chao Phraya River, the original structure was the first hotel built in Thailand when it opened as The Oriental in 1879. Today, the hotel is one of two flagship properties of Mandarin Oriental Hotel Group and is known for service, which consistently places it among the worlds best hotels Background and History WhenRead MoreMandarin Oriental Hotel4629 Words   |  19 PagesMandarin Oriental Hotel, Bangkok Mandarin Oriental, Bangkok is a five-star hotel in Bangkok owned in part and managed by Mandarin Oriental Hotel Group. Located on the banks of the Chao Phraya River, the original structure was the first hotel built in Thailand when it opened as The Oriental in 1879. Today, the hotel is one of two flagship properties of Mandarin Oriental Hotel Group and is known for service, which consistently places it among the worlds best hotels Background and History When SiamRead MoreRosewood Hotels1873 Words   |  8 PagesThe new strategy should also not undercut the distinctiveness of each individually branded hotel. In the analysis, Rosewood’s ADR and RevPAR were superior to the corporate-branded groups namely Four Seasons Hotels and Ritz-Carlton (Marriott International). Rosewood also fared better than Orient-Express Hotels, another individual-branded hotel group. The results make the argument for corporate branding difficult to justify as the current individual-branded strategy places Rosewood ahead of theirRead MoreEntrepreneurial Spirit Among East Asian Chinese9960 Words   |  40 PagesEntrepreneurial Spirit among East Asian Chinese Swee Hoon Ang s Don G. P Hong . Executive Summary This research showed that entrepreneurial spirit among East Asian Chinese youths is predicted by personality characteristics such as risk-taking propensity, persistence, and internal locus of control, as well as by motivational factors such as love for money and desire for security. Generally, these characteristics are not prevalent in an East Asian culture. The underlying predictors, howeverRead MoreSentence Completion Test5817 Words   |  24 PagesJOURNAL OF PERSONALITY ASSESSMENT, 74(3), 371–383 Copyright  © 2000, Lawrence Erlbaum Associates, Inc. Sentence Completion Tests: A Review of the Literature and Results of a Survey of Members of the Society for Personality Assessment Margot Holaday, Debra A. Smith, and Alissa Sherry Department of Psychology University of Southern Mississippi Test usage surveys consistently find that sentence completion tests (SCTs) are among the most popular personality assessment instruments used by practitionersRead More Emotional intelligence: The rapprochement of reason and emotion5515 Words   |  23 Pagesas the five key components of emotional intelligence: knowing emotions, managing emotions, motivating oneself, recognizing emotions in others, and handling relationships. Goleman attributes varying sets of personality attributes to each component, the final effect being that most of personality is covered by his definitions. Towards the end of his book, he claims â€Å"there is an old-fashioned word for the body of skills that emotional intelligence represents: character† (p. 285). As such, variations

Mexican Immigration Before and After World War II Essay

Mexican Immigration Before and After World War II Coming from a life of poverty and despair would cause anyone to search for a better life; a life in which there is the belief that all of your dreams can come true. This is the belief that many Mexican immigrants had about â€Å"El Norte,† they believed that the north would provide them with the opportunity that their life in Mexico had not. Many Immigrants believed that the United States was â€Å"the land of opportunity,† a place to find a successful job and live out the life that one only dreamt about living. The North was an open paradise for the immigrants. They were told by the people who had already ventured to the north that the United States was a â€Å"simple life, in which one could live†¦show more content†¦Some border patrols were kind to the immigrants while others treated them like animals. For those immigrants who could escape the patrol, they were off to find jobs in the â€Å"land of opportunity.† Many immigrants once entering found t hemselves working in low paying agricultural jobs working 12-hour day shifts for $3.50 a day. The little money that was made was sent to the wives and families back at home. The extra that left over was used to improve the villages and towns where they came from. Many of the towns were now able to improve the roads, create electric lines, have better water systems and open up new schools. Some women did decide to immigrate alongside their husbands; if the women had children it was better to migrate to the north while the children were young because it was easier to strap a small child on the mother’s back while picking in the fields. The women who eventually migrated to the United States aspired to work their way out of the fields and into domestic service jobs because the women felt that these jobs were not as demeaning as working long hours out in the sun; men on the other hand dreamed of working their way from the back-breaking row crops to the tree crops. Looking back over the decades at Mexican immigration, the reasons for immigration have always been the same, job opportunity, and prosperity.Show MoreRelatedAnalysis Of The Article Mexico 915 Words   |  4 Pages The article Mexico talks about the way Mexicans migrated to the United States through the four waves of immigration. The following article describes about presidential candidate Donald Trump’s proposal for building a wall along US – Mexico border. During the first great wave of immigration which was in 1910, Mexicans crossed US borders in small numbers which was around 1.5 million people. Civil wars in Mexico caused people to migrate. Most of them entered through Texas towns and cities. SomeRead MoreImmigration Policy And The Current Illegal Immigration Crisis1178 Words   |  5 PagesFor quite a long time U.S. immigration policy and the current illegal immigration crisis has been one reason for political debates among democrats and republicans, as policymakers address problems related to U.S. labor demand and border security. Policymakers from both political parties have attempted to find a solution to the illegal immigration crisis and have currently submitted several immigration proposals before the senate. Some of these proposals are: â€Å"The McCain-Kennedy Secure AmericaRead MoreThe Impact Of World War II On The United States1633 Words   |  7 PagesWorld War II was one of the most traumatic events that happened in the mid 1900’s, spanning from September 1, 1939 – September 2, 1945. It damaged families and alliances, eradicated loved ones, and drastically changed the U.S. economy. Because of these economic changes, the United States has suffered many hardships, but they have also experienced great opportunities of wealth and great success. Some of the hardships and successes include: war bonds, the manufacturing of wartime and military weaponryRead MoreImmigration Policy Of The United States1017 Words   |  5 Pagesto have open and honest debate of immigration policy in the Unite d States. It is not that there is not an immigration policy. The author presented two points of view: for immigration and for restricted immigration. For a true democracy, policies are formulated, adopted, implemented and evaluated. In the evaluation phase, challenges are made as to the effectiveness of a â€Å"living† policy. All government’s action or inaction, affects the people governed, and immigration is no exception. In fact, it directlyRead MoreEssay on Guarding the Golden Door1551 Words   |  7 PagesAmerican immigration history is the story of bonded, free, and enslaved migrant labor. Immigration to a settler society advances resource extraction and economic development. Extracting agricultural products and natural resources from land can Require forced labor. Over the last 30 years the United States has been turning once again into a nation of immigrants. Roger Daniels is especially sensitive to the role of race and ethnicity in shaping American immigration policy. Daniel provides an expertRead MoreWalter Lafeber s Michael Jordan And The New Global Capitalism1511 Words   |  7 Pagesshaped by factors such as communism, immigration, poverty, racial tensions, and also war. America’s dream of, if one is to work hard enough that they shall be able to achieve great things, took yet another turn to exclude certain races, women, and the lower classes. In Walter LaFeber’s Michael Jordan and the New Global Capitalism, capitalism is seen through the eyes of basketball, and LaFeber argues that capitalism will always dominate culture. From the Cold War to present-day the United States hasRead MoreThe Latino Journey in the United States: Immigrants Essay1693 Words   |  7 Pagesanalyze the trajectory that this group is in, we must first understand the group’s history in the United States and in territories that would become the United States. In addition, we must look at the origins of the most recent wave of Latino immigration in order to understand their current effect on American society and the intersection between both minority and majority groups. Finally, we get to the apex of this investigation: what lies in the future for Latino Americans in the United StatesRead MoreAmeric The Land Of The Free1707 Words   |  7 PagesDream. Every year, thousands of immigrants, illegal and legal, come to the United States. Many immigrants have different reasons why they feel the need to leave their country behind and start a new life elsewhere. Those reasons may be: fleeing from a war, bettering their perspectives, living in a better environment, or simply deciding that you like the concept of the American Dream. For instance, in the 1990’s my father, grandfather and uncles deci ded enough was enough as thousands of other Shia’s didRead More The Ethnicity of Mexians in the United States Essay1738 Words   |  7 PagesEthnicity of Mexians in the United States For centuries, Mexican Americans have dealt with an enormous amount of hardships that date back to their early Aztec roots. The source of many problems in Mexican American history can be traced in the pre-colonial period, before the United States of America was even conceived. Major problems of this era in history not only affected the Aztecs, but also the following generations of Aztec and Mexican descent, and continue to have an impact on their descendentsRead MoreMilitarization of the U.S. Essay1637 Words   |  7 PagesMilitarization of the U.S. Militarization of the U.S. -- Mexico Border By Joan J. Jaimes June 22, 2000  ¡Corranle, allà ­ viene la migra!, translated into English, this means Run, there comes immigration! This is what illegal immigrants shout everyday when they are about to cross the Rio Grande in search for better lives. Unfortunately, not many get through alive because of the militarization that has developed on the U.S. border with Mexico. Operation Rio Grande continues a process put in

Post-Modern Theory in the 21st Century Free Essays

Post Modern Theory in the Twenty-First Century As society continues to make the transition into the Information Age the general consensus on social theories is also experiencing change. The way that individuals interact has changed dramatically and is ever changing as evidenced by the phenomenon of the social networking revolution. Social scientists have long hypothesized social theories in an attempt to explain social phenomena and gain a better understanding of society as a whole. We will write a custom essay sample on Post-Modern Theory in the 21st Century or any similar topic only for you Order Now The general consensus for contemporary social theory has seen a shift toward post modernism. Post-modernism is the social theory that claims that society is now under the effect of the individual who creates a reality for him or herself. It is this shift towards post modernist-thought that has fueled the social networking revolution by allowing individuals to create an alternative realities for him or her self. Although post-modern social theory does not have any particular social scientist proposing it, it has gained much popularity in recent years. Post-modern social theory holds that apparent realities are merely social constructs that are subject to change over time. It claims that realities are subject to individual perception and interpretation. Postmodernism also holds that there are no absolute truths and that individual worldviews are completely subjective. These aspects of postmodernism place much importance on the individual rather than groups like previous social theories. In a post-modern society individuals view the world subjectively, which allows them to create their own reality for themselves. Post-Modern social theory’s enablement of individuals to create their own reality can be seen throughout American society. Perhaps this is best evidenced by the use of social networking. Social networking sites such as Facebook and Twitter give individuals the ability to create an optimum reality for themselves. No longer does a person have to be physically present to be seen and observed. Social networking allows people to have a â€Å"profile picture† which serves as a reference point for the appearance of an individual. The profile picture can be any image that the individual so chooses to be a representation of them. Having the option of choosing how you are viewed and represented has enabled individuals to create the optimum reality for them. Individuals are no longer subject to being represented by their actual physical appearance. Instead, individuals are free to edit, crop, and select images of them so that they can distort their reality in order to achieve an optimal self-representation. For instance individuals who perceive themselves as unattractive are now able to choose a profile picture that is more flattering to their physical appearance. Another example would be someone using a completely different person in his or her profile picture. The social networking revolution has brought much change in regard to the manner in which individuals interact with each other. No longer are interpersonal relationships contingent on physical interaction between individuals. Interactions are now able to take place electronically via the Internet. These changes in interpersonal relationships have been fueled by a shift towards post-modern social theory. It is the postmodern notion of the ability of the individual to make their own reality that has made these changes possible. Individuals are always seeking self-affirmation from their peers and being able to distort reality has become possible with the social networking revolution. How to cite Post-Modern Theory in the 21st Century, Essay examples

Tokyo Story Directed by Yasujir Ozu Essay Example For Students

Tokyo Story Directed by Yasujir Ozu Essay Of Tokyo Story, Roger Ebert wrote: â€Å"It ennobles the cinema. It says, yes, a movie can help us make small steps against our imperfections. † Jeffrey Overstreet observed: â€Å"These characters never surprise us with anything showy, lurid, or sensational. They’re ordinary human beings, treated with fierce attention that feels like deep respect. † Philip Frenchcalled it â€Å"one of the cinema’s most profound and moving studies of married love, aging and the relations between parents and children. This is high praise for a Japanese film that the average moviegoer may not have heard of, by a director who isn’t a household name. Why does Tokyo Storywin such accolades in movie-buff circles? Let’s take off our shoes by the door and investigate. The praise: Every 10 years, the British Film Institute’s Sight Sound magazine surveys a large, international group of critics and film experts to compile a list of the greatest films of all time. Tokyo Story appeared on the two most recent lists, at No. 3 in 1992 and No. 5 in 2002. The movie is also included on Time magazine and Empire magazine’s lists of the best films of the 20th century. The context: Now considered one of Japan’s greatest directors, Yasujiro Ozu (1903-1963) wasn’t well-known outside his homeland until after his death. His most acclaimed film, Tokyo Story, was made in 1953 but didn’t play in the U. S. until 1972, and it was another 20 years before it climbed onto Sight Sound’s once-a-decade survey. Which is to say, the story behind Tokyo Story‘s notoriety is as slow-moving as the story in Tokyo Story. Ozu started making films during the silent era, cranking out a couple dozen of them, mostly shorts, between 1927 and 1932 alone. His work in the 1930s started to move away from comedy and toward drama and social criticism, and though he wasn’t a major box-office draw, he was admired by Japanese critics. His career was interrupted by stints in the military during the Second Sino-Japanese War and World War II, and it was after these experiences that he produced his most significant films. Pretty much everything you’ll ever read about Ozu pertains to one of the 13 movies he made between 1949 and his death in 1962. They deal primarily with ordinary human experiences like family, marriage, and death, though Ozu himself never married or had children. Tokyo Story was conceived and produced in the same workmanlike manner as most of Ozu’s movies. He and collaborator Kogo Noda (who co-wrote half of all the films Ozu ever made) spent about 14 weeks drinking sake and writing the screenplay. This was followed by a few weeks of scouting locations, then four months of shooting and editing. Ozu used a lot of the same cast and crew from one film to the next, which helped things run smoothly. There was nothing about the project to suggest that it would come to be considered Ozu’s masterpiece; even the title was typically generic. (It was one of four Ozu films to have the word â€Å"Tokyo† in it. Other Ozu titles include Late Spring, Early Summer, Good Morning, Tokyo Twilight, The Only Son, and There Was a Father. ) Part of the reason Ozu’s movies weren’t exported to the West in the 1950s, when contemporaries like Akira Kurosawa were enjoying so much international success, was that Ozu didn’t make period pieces or samurai movies. Japanese distributors didn’t think movies dealing with modern, mundane Japanese life would be of interest to Western viewers, so they didn’t bother trying to export them. As a result, when Ozu’s movies did finally reach American shores, cinephiles who were accustomed to Japanese cinema being all about geishas and samurais because those were the only Japanese movies they’d had access to were smitten with the sheer ordinariness of Ozu’s stories. Furthermore, Ozu’s movies made it to the U. S. at a fortuitous moment. .u43fac0792d54162fbf30a2d33033a1bb , .u43fac0792d54162fbf30a2d33033a1bb .postImageUrl , .u43fac0792d54162fbf30a2d33033a1bb .centered-text-area { min-height: 80px; position: relative; } .u43fac0792d54162fbf30a2d33033a1bb , .u43fac0792d54162fbf30a2d33033a1bb:hover , .u43fac0792d54162fbf30a2d33033a1bb:visited , .u43fac0792d54162fbf30a2d33033a1bb:active { border:0!important; } .u43fac0792d54162fbf30a2d33033a1bb .clearfix:after { content: ""; display: table; clear: both; } .u43fac0792d54162fbf30a2d33033a1bb { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u43fac0792d54162fbf30a2d33033a1bb:active , .u43fac0792d54162fbf30a2d33033a1bb:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u43fac0792d54162fbf30a2d33033a1bb .centered-text-area { width: 100%; position: relative ; } .u43fac0792d54162fbf30a2d33033a1bb .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u43fac0792d54162fbf30a2d33033a1bb .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u43fac0792d54162fbf30a2d33033a1bb .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u43fac0792d54162fbf30a2d33033a1bb:hover .ctaButton { background-color: #34495E!important; } .u43fac0792d54162fbf30a2d33033a1bb .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u43fac0792d54162fbf30a2d33033a1bb .u43fac0792d54162fbf30a2d33033a1bb-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u43fac0792d54162fbf30a2d33033a1bb:after { content: ""; display: block; clear: both; } READ: Analysis and description of structural and constructional ideas EssayAs film scholar David Desser wrote, â€Å"That films were relatively plotless and steeped in everyday life made them seem if not part of, then related to, the French New Wave or the severe style and themes of Michelangelo Antonioni and Ingmar Bergman. † Tokyo Story fit in with the 1960s art-house style, even though it pre-dated it by more than a decade. The movie: An elderly husband and wife take the long train journey from Onomichi to Tokyo to visit their adult children possibly for the last time, given their advancing age and the distance between the two cities. They find that while their children are glad to see them, nobody has any time for them. It’s kind of sad. What to look for: The films tells a seemingly ordinary story involving some seemingly ordinary people. Yet there is something strange and aloof about the way Ozu depicts it. The characters speak in a way that sounds stiff and formalized to modern, Western ears. You may wonder: Is this really how Japanese families interacted in 1953? Or is it just how Japanese moviesdepicted Japanese families in 1953? Would a Japanese viewer in 1953 have thought, as do we, â€Å"Man, it’s sad that these people don’t treat their parents better†? Or would the viewer have thought, â€Å"Eh, that’s how life goes†? You’ll be glad to know that movie nerds have been discussing the answers to those questions for half a century. Ozu’s style was deliberately formal, which highlighted (and maybe exaggerated) the politeness of Japanese society. But he was also documenting the state of Japanese culture at the time, and doing so without much commentary or didacticism. Desser writes: The film is, paradoxically, both intensely insular and immensely universal. So completely does the film derive from particularities of Japanese culture marriage, family, setting that critics have argued over the film’s basic themes. Is it about the breakup of the traditional family in the light of postwar changes (increase urbanization and industrialization, which have led to the decline of the extended family)? Or is it about the inevitabilities of life: children growing up, getting married, moving away from home, having children of their own, leaving their aging parents behind? Though the film is set in a specific time and place, such questions concerning the breakdown of tradition are universal in their appeal. † Ozu’s visual style is definitely uncommon, though by contemporary, modern, Japanese or American standards. When a director’s visual style is noteworthy, it’s usually because of something flashy, something with pizzazz. The opposite is true with Ozu: What makes his films stand out is how calm and serene they are, yet how inviting and warm. He shoots most scenes as if from the perspective of someone kneeling on the floor, observing the action. This came to be known as the â€Å"tatami shot,† referring to the traditional Japanese mat. The camera doesn’t tilt upward, though. It remains level, looking straight ahead, and it almost never moves. (Roger Ebert says the camera moves only once in Tokyo Story, and that this is â€Å"more than usual† for an Ozu film. ) When characters have conversations, Ozu will often have them look almost directly at the camera, as if we are the other person. Then he’ll cut to the other character making his or her reply, also looking at the camera. Even a casual moviegoer will notice that this is different from the usual method of portraying conversations in film. If the tatami shots make us feel like quiet, unnoticed observers, these dialogue shots draw us in, make us part of the action. Notice also how Ozu will linger on a room (and a scene) after the characters have exited, or cut to it before they arrive. In The New York Times, Roger Greenspun described this as â€Å"an acknowledgment that places are sanctified by people and that even when they have gone away, a bit of their presence lingers on. † .uc47e32bbba15fa639c4d084c1d877418 , .uc47e32bbba15fa639c4d084c1d877418 .postImageUrl , .uc47e32bbba15fa639c4d084c1d877418 .centered-text-area { min-height: 80px; position: relative; } .uc47e32bbba15fa639c4d084c1d877418 , .uc47e32bbba15fa639c4d084c1d877418:hover , .uc47e32bbba15fa639c4d084c1d877418:visited , .uc47e32bbba15fa639c4d084c1d877418:active { border:0!important; } .uc47e32bbba15fa639c4d084c1d877418 .clearfix:after { content: ""; display: table; clear: both; } .uc47e32bbba15fa639c4d084c1d877418 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .uc47e32bbba15fa639c4d084c1d877418:active , .uc47e32bbba15fa639c4d084c1d877418:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .uc47e32bbba15fa639c4d084c1d877418 .centered-text-area { width: 100%; position: relative ; } .uc47e32bbba15fa639c4d084c1d877418 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .uc47e32bbba15fa639c4d084c1d877418 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .uc47e32bbba15fa639c4d084c1d877418 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .uc47e32bbba15fa639c4d084c1d877418:hover .ctaButton { background-color: #34495E!important; } .uc47e32bbba15fa639c4d084c1d877418 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .uc47e32bbba15fa639c4d084c1d877418 .uc47e32bbba15fa639c4d084c1d877418-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .uc47e32bbba15fa639c4d084c1d877418:after { content: ""; display: block; clear: both; } READ: Gothic Architecture EssayThe effect of all these devices: it almost feels like we’re living in this world with these characters, kneeling on their floors, having conversations with them, witnessing their lives. What’s the big deal: Ozu’s visual style suits his material perfectly. If he had been making samurai movies or slapstick comedies, obviously he’d have approached them differently. This matching of content and style is a crucial element of effective filmmaking, and one that’s not easy to achieve. The fact that the characters’ lives are not extraordinary is part of the point. Ozu wants us to relate to them somehow, to see ourselves and the people we know reflected on the screen. One of the reasons the film has endured is that it has accomplished this for so many people over so many years. We may live half a century and half a world away from the story, but we can probably identify with many of its elements. Considering how few films have any emotional resonance at all, let alone resonance that spans time and cultural barriers, that’s kind of a Big Deal. Further reading: David Desser’s essay, â€Å"A Filmmaker for All Seasons,† was reprinted in the book Asian Cinemas: A Reader and Guide, but you can read it online here. You may want to skip the first three paragraphs if you haven’t seen the movie yet, as they lay out the entire plot from beginning to end. As mentioned, the story isn’t exactly the point of the film, but it still might be nice for you not to know exactly what happens beforehand. Here is Roger Ebert’s review from the film’s 1972 American release, and his 2003 Great Movies essay, both of which likewise discuss the plot in detail. David Bordwell’s Criterionessay is also a good overview.